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His epic talent as a musician aside, this man can really sing…Dan’s voice has a gut-wrenching quality that compliments the renegade approach to the blues. Imagine a young Tom Waits and Marianne Faithful (post-Lucy Jordan) producing a musical heir – and you’re close to understanding the emotive quality of Dan’s voice. When he grabs hold of his Fender he becomes a modern-day knight slaying dragons on stage and bemoaning the carnage all at once. He is one of those rare talents capable of whisking an audience into a netherworld of sonic orgasms.